BIOGRAPHY

SERA WATERS

 

EDUCATION

2006      Embroidery Summer School courses, Royal School of Needlework, Surrey, UK

2003-2006    Masters of Arts in Art History, Adelaide University

1997-2000    Bachelor of Visual Arts (First Class Honours), SASA, University of SA

 

SELECTED EXHIBITIONS

2012                      

Sensation Seekers, Fontanelle Gallery, Adelaide SA (upcoming – March)

Objectified, SASA Gallery, Adelaide SA (upcoming – April)

...build me a city, AEAF, curated by Vivonne Thwaites, Adelaide SA (upcoming – Oct)

 

2011                      

CavernLight, Lowrise Projects, Melbourne VIC

Sensorial Loop, Tamworth Textile Triennial, curated by Patrick Snelling, Tamworth, NSW (+ touring)

Flocked, Inside SAM’s Place residency, SA Museum (with Craftsouth), Adelaide SA

artroom5, Adelaide SA 

Imagining Interiors, curated by Wendy Walker, Jam Factory, Adelaide, SA

Home Stories, Adelaide Central Gallery + Migration Museum, curated by VivonneThwaites, Adelaide SA

Covet, Adelaide Central Gallery, Adelaide SA

 

2010                      

Flyblown, FELTspace, Adelaide SA

Moving Wounded (ongoing participatory project): http://littleweeds.conservatory.org.au/theMovingWounded.html

Consumed, Adelaide Central Gallery, Adelaide SA

Little Weeds, online (littleweeds.conservatory.org.au) + Peel Street exhibition space (with Format Festival) + Seedling Art Space, curated by Lisa Harms, Adelaide SA

 

2009                      

Nell Pearson, Sera Waters, Claude Jones & Beci Orpin, Edwina Corlette Gallery, Brisbane Qld

Just Is, Max Dawn Gallery, curated by Bev Southcott, Adelaide SA

Craft’n Disaster, The Project Space, Contemporary Art Centre of South Australia, Adelaide SA

Wangaratta Contemporary Textile Award, Wangaratta Vic

artroom5, Adelaide SA

Talente 2009, International Trade Fair, Munich, Germany

 

2008                      

artroom5, Adelaide SA

 

2007

Spirited Away, Adelaide Central Gallery, Adelaide, SA

Quiet Hands, Gaff Gallery, curated by Rayleen Forrester, Port Adelaide SA

Hedgemaze, Light Square Gallery, Adelaide SA

 

2006                     

Crooks & Nannies, downtown art space, Adelaide SA

 

2001                      

Hatched, National Graduate Show, Perth Institute of Contemporary Art, Perth WA

 

SELECTED GRANTS & AWARDS

2010  Project & Development Grant, Arts SA

2005   AJA Roy Terrill Prize, Japanese Art History Essay Prize, Adelaide University

2005   Ruth Tuck Scholarship, South Australian Youth Arts Board

2002   Artists-in-studios, South Australian Youth Arts Board

 

SELECTED BIBLIOGRAPHY

Adams, Jude, 'Three Artists- in the world: Anne Kay, Irmina Van Niele, Sera Waters', Artlink, vol 29, no 2, 2009

Benson, Garry, ‘Sera Waters: Danger and Domesticity’, Textile Fibre Forum, Vol 30, Issue 3, no 103, 2011, pp. 32-35.

Clifton, Catherine, ‘All Stitched up’, Adelaide Matters, issue 107, February 2009, pp. 28-29.

Dunt, Nerina, ‘Craft’n Disaster: Sera Waters’, Object, issue 59, October 2009, p. 58.

Harms, Lisa, ‘Sera Waters’, FELTspace GOLD, 2011, pp. 116-119.

Harris, Samela, 'Huge Appetite for Arts', Adelaide Advertiser, 21 April 2010

Hart, Jenny, ‘Sera Waters’, Embroidery as Art blog, Jan 12, 2010 (http://embroideryasart.blogspot.com/)

Hemmings, Dr Jessica, ‘The Dark Side’, embroidery (UK), vol. 60, Sept/Oct 2009, pp. 24-27.

Kemp, Jemima, ‘During the South Australian Living Artists Festival’, Point Blank, Point 3, 09/08.

Neylon, John, ‘Flights of Fancy’, The Adelaide Review, April 2011

Nunn, Louise, ‘The Birds up there’, The Advertiser, July 7 2011

Radok, Stephanie, ‘Filling an extraordinary space’, The Adelaide Review, no 253, Sept 28, 2004, pp 20-21

Zeplin, Dr Pamela, ‘Sera Waters: Crooks & Nannies’, Craft Culture online, Craft Victoria, http://www.craftculture.org/Review/pzeplin1.htm, 2007

 

PROFESSIONAL EXPERIENCE

2011-2012       Contemporary Embroidery workshops, Art Gallery of South Australia

2010-current    Studio member of The Incinerator, Thebarton, SA

2005-current    Committee Member on Adelaide Visual Arts Critic Circle, since Nov 2005.

2005-current    Lecturing and tutoring in Art History at Adelaide University, Adelaide Central School of Art and South Australian School of Art (University of South Australia).

2004 – current  Arts writer for various local and national publications and catalogues

2010               AAANZ conference, presenter in Relational Craft session + Chair, Post Graduate Symposium

2010               Artistspeak, University of South Australia

2007-2009       Peer Assessment Panel, Arts SA

2007               Key note speaker, SALA Festival, Art Gallery of South Australia

2005-2009       Studio member of Hedgemaze, Port Adelaide, SA

2005               Project Assistant, Tatsuo Miyajima residency, Contemporary Art Centre of South Australia

 

COLLECTIONS

The Cruthers Collection of Women’s Art, University of Western Australia

Private Collections, South Australia and New South Wales, Australia

 

Biography

Sera Waters is an Adelaide based artist and writer. She has spent time living in Tokyo and is a graduate of the Bachelor of Visual Arts (First Class Honours), South Australian School of Art (1997-2000), and was selected for Hatched, the National Graduate Exhibition at PICA in 2001. In 2006 Waters was awarded the Ruth Tuck Scholarship, which enabled her to attend the Royal School of Needlework (Hampton Court Palace, Surrey, UK) to intensely study hand embroidery. This experience, alongside her postgraduate research into Japanese visions of the monstrous and catastrophic (Master of Arts, studies in Art History, Adelaide University, 2003-2006), lead Waters into a practice which is characterised by darkly stitched meticulousness. In 2009 three of Waters’ black-works from her Crooked Lineage explorations of petty crime were selected to be exhibited in Talente, in Munich, Germany. These fascinations have continued to develop into an exploration of repetitive crafting; a theory Waters has been explicating through conferences and publications. Waters is a studio member of The Incinerator, Thebarton, exhibits locally and interstate, and teaches art history and theory at Adelaide Central School of Art and in the Postgraduate Art History program, Adelaide University.